Showing posts with label tapas. Show all posts
Showing posts with label tapas. Show all posts

Tuesday, 19 June 2018

The Counter at Sabor

Sabor (which appropriately means 'flavour' in Spanish) has only been open for a few short months and is already making waves; at the recent Estrella Damm National Restaurant Awards it was named second best restaurant in the UK behind Kiln, with co-founder Nieves Barragán Mohacho winning Chef's Chef of the Year.

The unassuming entrance is marked by classic Spanish tiles — including a rather lovely 'Calle de Heddon' street sign — and the inevitable queue. Spanish food fans and tapas addicts, I'm happy to report that the hype is real.

To be fair, Sabor's founders know a thing or two about running a restaurant; Barragán Mohacho was Executive Chef at Barrafina for ten years, during which time she won them a Michelin star, with co-founder and customer experience king José Etura as Operations Director.

Sabor is divided into three separate and distinct sections: a classic, L-shaped tapas counter focusing on fresh fish and dishes from the Basque country and Catalonia, the Asador upstairs (which takes reservations and is wonderful for celebrations and group dining) showcasing specialities from the regions of Galicia and Castile and a small bar area downstairs with a selection of wines, spirits, beers and sherries from across Spain.



We started with Pan Tomate and Cecina, the vibrant freshness of tomatoes balancing delicate slices of intensely-flavoured, dry-cured smoked beef. This typifies Sabor's ethos, with high-quality traditional ingredients leading the way.

Some of you out there may well already know that I am quietly but incurably obsessed with certain foods, croquetas being in my top three.  Even given this, the Prawn Croquetas did not disappoint; they were perfect, with a deeply-flavoured, rich, comfortingly creamy centre and a crisp, golden shell.

(I don't really have a sweet tooth, so in times of heartbreak and despair I think I would head here for endless plates of these rather than finish off a tub of Ben & Jerry's on the sofa. Each to their own - and you have been warned.)

Next were the Piquillo Croquetas, which on my visit were topped with a snowfall of grated Zamorano cheese; I think on the updated menu it is now Manchego. Again, these were delicious, with a light but definite kick and perfectly cooked.

Frit Mariner was a sunshiny plate of tender squid and shelled prawns with aubergine and red pepper, drizzled in a herby olive oil dressing that made me long for a piece of bread to greedily wipe the plate clean.


The Beetroot, Blood Orange and Dill was simple and simply delicious, the earthiness of the beetroot balanced with the citrus and dressing, making for a pretty and refreshing dish.

The Chargrilled Baby Potatoes & Sobrasada was the only dish that I wouldn't rush to order again; the texture was quite uniform and I didn't get much of the promised chargrilled flavour, although to be fair by now the bar had been set pretty high.

Our Rhubarb and Mascarpone Tartaleta was delightful and an excellent end to our evening; delicately crisp pastry and with a filling that allowed the inherent sharpness of the rhubarb to come through, but softened by the mascarpone.

We went for a bottle of the Bhilar white Rioja 2016 on the advice of our charming server Pablo; it was a good match and I will be adding it to my wish list next time I am wine shopping.
I also couldn't resist the theatre of a glass of Txakoli, a young, citrussy, slightly effervescent wine best poured from height to maximise the flavour.

I'm already planning a trip back for the other two areas of the restaurant, the Asador and the bar; my wish list from the bar menu includes the Lardo, Anchovies & Picos, the Camarones Fritos & Fried Egg and the Queso Fresco & Black Truffle. (Actually I might just move in, I could happily eat that for breakfast.)








Yours, savouring the flavour,
London Girl About Town xx






Sunday, 29 October 2017

Kricket

Just to set the scene for you (pun entirely intended), I was recently treated to an unexpected evening at the theatre - Tennessee Williams's Cat on a Hot Tin Roof, intense and absorbing with the immediacy that only live theatre can bring, with great performances from an arch, determined Sienna Miller as Maggie and a brooding Jack O'Connell as Brick, radiating torment and despair.

You say theatre, I say pre-theatre supper: something bookable, fabulous but speedy, satisfying, yet light enough not to put you in a food coma before the curtain comes up and no more than a five-minute stroll from the action.

Enter, stage left: Kricket, emerging from the chrysalis of a Brixton shipping container pop-up into a Soho bricks-and-mortar butterfly, newly awarded a Michelin Bib Gourmand. It's been a big year for  co-founders and college friends Will Bowlby and Rik Campbell and I wouldn't be at all surprised to see them add another Kricket site sometime next year. After my meal here, let's hope so.

Kricket serves Mumbai-inspired modern Indian small plates in a buzzy, industrial-chic setting along with some innovative cocktails (don't miss these when you visit). There are two floors; if you are in a party of four or more, you can book at the communal tables downstairs (useful for pre-theatre when time is tight) or you can grab a seat at the upstairs counter and watch the chefs at work. Apart from being a stellar first date option this is always my preference, as I find it endlessly fascinating — and here, a rare opportunity for Indian cuisine.

We started with smoked aubergine served with sesame raita and papdi gathia, light, crisp Gujarati snacks made from gram flour. I think charring/smoking brings out the flavour of aubergine really well and this moreish dip was a perfect example. My cocktail, Lucky Neem, was a blend of oriental spiced gin, lime, cucumber and curry leaf, welcomingly sharp and elegantly presented.

The tandoori monkfish with coconut chutney was an absolute standout of a dish; firm, beautifully spiced without being eye-wateringly spicy, with the chutney a soothing counterpoint. It's refreshing to see a superb dish simply plated with no unnecessary extras — no tricksy garnishes or endless cast of flavours, no tarting it up to make it 'Instagram-worthy' — just really, really good food.



Kricket's lasooni scallop with Goan sausage, poha (flattened rice) and seaweed was also outstanding. Yielding, sweet and enhanced rather than overpowered by the contrasting flavours and textures, I could have eaten a plateful. We also ordered the cultured butter naan, freshly made, light and generously buttery, and a side of fluffy tomato pilau to go with — both good calls.



Pumpkin with makhani sauce, fresh paneer, hazelnut crumble and puffed wild rice was warming and mellow, with a good depth of flavour; again, a lovely use of textures and perfect with the tomato pilau.

Another dish I will definitely order on my next visit — proper KFC, Keralan fried chicken, served with pickled mooli and a creamy curry leaf mayo. This dish was unexpectedly large in relation to the others and would comfortably serve two, I think — although you may want to have a plan in place if there is one odd-numbered piece left at the end, as that would be totally legitimate grounds for dumping someone.








Yours, in full agreement with 10cc (oh come on, I waited until now!),
London Girl About Town xx

Sunday, 22 October 2017

Rambla

Rambla is a Catalan tapas restaurant in the heart of Soho, named after Barcelona's famous street near which chef-patron Victor Garvey grew up.

Newly opened at the time of writing, Rambla is set over two floors and is a more ambitious project than Garvey's previous solo restaurants, Encant (formerly Duende) and Sibarita. From my visits - one evening and one lunchtime - and from a spot of people-watching the other customers, he's absolutely nailed it.



The menu is mercifully brief but varied, tempting and very reasonably priced. On both visits we ate until we could barely move, shared a very drinkable bottle of light and fruity red (a 2015 Honoro Vera Organic Monastrell) and paid around £30 per person, including tip.


As we were deciding, the waitress arrived with some sourdough toast and a pestle and mortar, proceeding to make alioli (correct spelling in context for those fellow grammar nazis out there, from the Catalan for 'garlic and oil') at our table. There is a buzzy but very relaxed vibe here; tapas is inherently a chilled and sociable way of eating and this is backed up by charming and attentive staff, good use of space and a very cool choice of music.

We officially started with spinach croquetas with roasted pine nut alioli. Considering these are priced at £4, I was expecting two per portion; we actually got four, which is exceptional value. Regular readers will know that I have a slight obsession with croquetas; for tapas restaurants, I believe they are a pretty reliable benchmark of the kitchen. These were very good indeed. Piping hot from the pass, with an impossibly thin, crispy coating yielding to a smooth, creamy, comforting interior, they had exactly the textures and flavours I was after and were as good as any I've had from tapas bars in the chef's native Barcelona.

Next, another of my favourites, pan con tomate - deceptively simple and simply delicious.

'Butifarra Negre' sliders were served wth a refreshing green apple slaw and nevat cheese in toasted brioche buns. Nevat is a delicate, creamy goat's cheese from the Catalan mountains which appears in another dish here, baked, with beautifully presented crudités. Here it is a welcome support act for the real star — butifarra negre, classic Catalan blood sausage, intense, dark and spicy. The slider is an inspired vehicle for this, especially topped with the crisp, sharp apple slaw.

The grilled octopus with pickled garlic and alioli was perfectly tender, with lovely charring and depth of flavour. This is one of the first dishes I order when in Spain (after the croquetas) and, just for a moment, the grey skies and windy streets of London disappeared and I was sitting with the sun on my skin.

We had hoped to try the lamb chops at our lunchtime visit but they were unavailable; chef Victor Garvey explained that he'd had double the expected number of covers the previous evening and was waiting for a delivery (it arrived later, as we were gently slipping into a food coma) so I'm just going to have to go back again to try them. Shame. It's a good job Rambla takes reservations, as I have a feeling this place is going to become a Soho staple.

The wonderfully rich braised oxtail canelones with nevat cheese (there it is again) — shown here with a portion served to show you how generously packed with hearty shredded oxtail they are — could well be my go-to dish this autumn. It is remarkable value at only a fiver, and with a glass of wine to cut through the intensity and a beloved paperback to keep me company, that'll be me perched at the counter, sorted.

Plump mussels and clams steamed in white wine with Serrano ham and spider crab butter came with slices of toasted garlic sourdough for dipping and for mopping the juices from the bowl. This is hands-on food, tapas as it should be.

My absolute favourite, though, was the quail drumsticks, wrapped in crisp pancetta and presented in a nest around a  Pansals wine-based dipping sauce served in an eggshell. This is a visually beautiful dish and absolutely delicious; prepare for your Instagram feed to be featuring this regularly over the coming months.

For dessert, we went for the warm apricot and almond coulant with homemade frozen yoghurt. I've only ever had chocolate versions of this dessert before, which I find too rich after a spoonful or two, so this was a welcome surprise; light almond sponge with a melting apricot fondant centre, balanced beautifully by the frozen yoghurt and crunchy flaked almonds.

Rambla is a very welcome addition to Dean Street and already holding its own against some formidable competition. Equally suited to swift but fabulous pre-theatre dining and long, boozy lunches with friends, affordable and offering the option to book a table, it could well become a regular haunt.








Yours, wishing you 'bon profit',
London Girl About Town xx

Monday, 19 June 2017

Small Plate Sessions at the Last Days of Shoreditch

You know summer is really here when London's rooftop bars, terraces and outdoor spaces start opening up - including the Last Days of Shoreditch, East London's iconic food and music venue. For those who missed my last blog post (What?? No excuses - go back and read it now!) and in the interests of full disclosure and transparency,  I have been to a couple of Chef Ben Spalding dinners recently as a guest - although this particular visit was as a normal ticket-buying foodie. I mention this only because he has a restaurant residency in the heart of the site and, as a self-confessed fan, I was queueing up to check it out.

The restaurant is the raised, mezzanine part of Last Days of Shoreditch; I visited on the first weekend of opening and the signage wasn't immediately obvious but then you can't really miss it -  in a wonderfully fun and quirky touch, you take stairs up . . . and a slide on the way down!


The restaurant itself is only about 45 covers so there is a fabulous view of the kitchen, where you can watch Ben and his head chef Josh work their magic.

If there is ever a chance of a seat where you get to see the chefs work I am absolutely there. I am endlessly fascinated by the process and the sheer skill involved and I find it humbling to see the energy, passion and focus that goes into every plate.

I had to have the now-famous chicken skin sandwich; literally a sandwich made with thin crispy chicken skin instead of bread - step right up, low-carb Lean in Fifteeners!

Reading the description, I wasn't completely sure about the chicken skin element but actually it is delicious - very light and not at all oily (in other words, not remotely dense and pork scratchings-esque, which was my fear) but still full of that lovely roast flavour. I'm such a convert that I am definitely trying this at home; I'm thinking of mini versions as drinks/pre-BBQ nibbles? 


This was one of the stand-out dishes of the day for me; mackerel cured in Hythe seawater and served with mint, aromatic mango and a Marmite and sourdough mayonnaise. Fear not, haters; you can't actually taste Marmite as such, there's just a light umami tang that beautifully balances out the natural delicacy of the mackerel, paired with the freshness of mango. This is a gorgeous and beautifully plated, summery dish that lets the ingredients shine.

Those of you who have read my Meat Lust BBQ bus tour blog from February (Aw thanks guys! Love you too!) will know how excited I was to finally get to try this Ben Spalding signature dish for the first time.

Ben has changed it up for the restaurant with a duck version and I was not about to miss it in its new incarnation. It didn't disappoint; the creamy richness of the duck set off by the dark caramel notes . . . and that's without the inevitably wonderful people-watching opportunities, as the way you get both together is to lick the parfait off the brick - no cutlery allowed! (Is this the perfect ice-breaker dish for a first date?)

Next up was the beef shortrib. I am not sure how Ben manages to coax such intensity of flavour out of beef but this is fabulous - yielding, rich, intensely meaty. This was a dish from the terrace and so had been cooked on a Mibrasa charcoal oven to give it that delicious barbecue hit. 

The terrace is hands down the best vantage point at Last Days of Shoreditch. This picture was taken as it had just opened - an hour later it was at capacity and people were being turned away at the door (which is good, as they never let it get uncomfortably, heavingly busy - just full and buzzy). The restaurant is bookable on Chef Ben Spalding's website but the terrace is no-reservation; I found that, if you arrive early enough, you can nab a pretty good spot, grab a drink, order your food and  sit back to watch London at play. 

I had a cocktail from the restaurant bar and my companion went for a craft beer from the Gipsy Hill Brewery. My only small gripe would be that, on my visit, wine was only available by the bottle and, with a beer-drinking companion, I would have liked the option of a glass (or two). 
So, on to desserts. Lemongrass Vs Ginger is a light, airy lemongrass cream with a lemongrass puree, zingy, crispy ginger and iced lemon thyme. I'm not normally a sweet person, (yep, not in that way either) but this was good - cool, creamy and refreshing at the same time.


Silky charcoal fudge is given a kick with the inclusion of the Ribman's famous (or perhaps infamous) Holy Fuck sauce, made from scotch bonnet peppers and naga jolokia chillies. It sounds odd, but it really, really works; there is the sweetness of the fudge and then a gentle tingle of warmth from the sauce, which seems to wake up your tastebuds and intensify the depth of chocolate taste. Again, I don't have a sweet tooth but I would say this could be a sharing dish, it's a generous portion. Oh - did I mention it's splashed with rum and SET ON FIRE? Yep.  Welcome to Small Plate Sessions.

The live DJ sets happen immediately beneath the restaurant and terrace, so there is a seriously cool soundtrack to your evening. We stopped by here after dinner and chilled out with a drink to sets (Ben also curates the music on certain nights, under his PuzzleProjects banner) by Ray Mang and Chuggin Edits; it's not often that you get both food and music by such respected names in one place. For those, like me, who love the quality and imagination of seriously good food but don't like the stuffiness, formality, self-importance and price tag that normally goes with, then this is your spot.

We also had a wander around the rest of the site; we had stuffed ourselves so much that we didn't have room for anything from the food stalls but somehow managed a cheeky jug of Pimms and a longing look at the deckchairs. All in all, a pretty fabulous Friday night. Well hello summer . . .  I've missed you. 









Yours, loving the summer evening one-stop shop, 
London Girl About Town xx

Sunday, 15 January 2017

The Distillery - including the Ginstitute, Resting Room and GinTonica

You may remember the Distillery from its previous incarnation in somewhat smaller quarters further down Portobello Road. Thanks to London's  recent 'ginaissance' (and the passion of the Portobello Road Gin crew) demand has seriously outstripped supply. Now, founder Ged Feltham has answered many a gin-lover's prayer and created what can only be described as a four-floor gin paradise on the corner of Portobello Road and Talbot Road. 

The basement houses the main still itself, upgraded from the original 30 litre capacity to a reassuring 400 litres (which will mean that production of Portobello Road Gin can again be done completely on site) and the Ginstitute. I didn't get to do this on my visit, but am definitely planning to - so watch this space, details to follow!

The ground floor is home to the Resting Room, a laid-back cocktail bar serving hand-blended and barrel-aged spirits - the latter served directly from huge barrels suspended above the bar. There is also a small but perfectly formed food menu; I dabbled, but it deserves my full attention at a later date.

On the first floor is the tapas restaurant, GinTonica, serving Basque tapas and G&Ts in the 'copa de balon' glasses that any self-respecting gin aficionado uses now (*cough, buys new gin glasses immediately*).  This shape, with the large 'balloon' bowl and stem, not only focuses the aroma of the botanicals as you drink to give you a better flavour experience, but also slows the melting of the ice, so keeping your drink colder for longer AND less diluted. Winner. 

The top floor boasts a private meeting/dining room (pictured) and boutique lodgings: three double rooms with huge windows overlooking one of the world's most iconic streets, a fully-stocked minibar with freshly-made cocktails (gin, obvs) and a selection of vinyls from nearby Rough Trade West. The only way these rooms could be any cooler is if they were sitting smack on top of a gin salon and a restaurant. Oh, wait . . .

I approached my lunch booking in GinTonica with high hopes, given that it offers a combination of two of my favourite things in the world: gin and tapas. I have indulged in both frequently, internationally and (on occasion) excessively, just never - until now - concurrently.  I've always gone for ice-cold fino sherry, a dry Spanish white or rosé, or una caña with my tapas but hey, I'm always open to suggestions.

The first plate to arrive was the Pan Catalan. This is one of those joyous dishes that is simple, quick and - even when using top-quality ingredients, which you absolutely must - cheap to make, but is utterly delicious. Easily pleased, me, but then this was a good one.

The Pollo a la Parilla was a juicy grilled chicken breast, sliced and served with a roast chicken croquette and a very tasty, chunky romesco sauce. Another big tapas win in my book is the option of croquetas, usually a reliable benchmark for the rest of the meal.

Tragically they were out of the Croquetas con Queso (it was their soft launch, so I can't moan) but the chicken croquette was very promising: light, crispy coating, melting interior, good flavour. To me, these are the comfort food champs of tapas (the equivalent of Chinese bao or dumplings) and the experience was exactly right. Perhaps a jamon version in your next menu please chef?

To go with, we did glance through the drinks menu but decided to let our friendly barman advise us. We started with a couple of simple classic G&Ts - a Portobello Road Gin 17, the house blend, served with Fever Tree tonic water, juniper berries and a twist of pink grapefruit, and a Botanist, with Fever Tree elderflower tonic, juniper berries, apple and mint.

These are 50ml serves (doubles, basically) and arrive beautifully presented in the aforementioned copa de balon glasses. They were also outstandingly good. There's a whole menu of these? Book me a room.

The next tranche of tapas included another fave of mine, boquerones. Anyone who hates anchovies because they had them on a pizza once - please believe me when I say that these white anchovies (marinated in olive oil, garlic and parsley) are light, mild, flavourful and worlds away from their punchy, salt-preserved cousins. (Not that I don't always have a tin of the macho ones in my kitchen cupboard, as they are singularly brilliant at bringing out flavour in a whole range of dishes, but I digress.) Perhaps there could have been a tad less oil, but that was more a not-dropping-it-down-my-top issue than a problem with the flavour.

The patatas bravas with chilli sauce and aioli was pretty much what you would want and was a good companion dish to the orzo risotto with smoked Spanish cheese and truffle oil. This dish prompted a foodie debate at the table: is there such a thing as an orzo risotto? I don't want to go all #paellagate on this - particularly as I am known for endlessly tweaking recipes to see what happens, cooking is a living language - but my Pavlovian response kicks in and I expect a particular texture that you can only get with rice. Anyway, I digress again. Either way, this was good; creamy, incredibly rich, looser in texture than a rice-based risotto and definitely best paired with a contrasting dish like the bravas.

Time for another round of gins. This time we went for a Gin Mare with 1724 tonic, black pepper, basil and a slice of fresh mango, and a Portobello Road Gin 171 Director's Cut Number Two served with Fever Tree, smoked cardamom pods and blue cornflower. The first two were a really hard act to follow and these were also good, although very different - leading me to think more about the whole process of balancing botanicals and the variations that are possible.

No time for dessert - we had a table booked downstairs in the Resting Room to see what they had to offer.  I was very tempted to try a spirit from one of the barrels above the bar, partly because they are so cool and partly because the spirit is ageing as it is stored - meaning that it will taste very slightly different on my next visit. The drinks menu is wonderfully authoritative, explaining each spirit in terms of nose, taste and finish as well as recommending a way of trying it.

We stuck with the gin theme, though. I went for a classic martini, which was as lip-puckeringly dry as it gets and presented with skilled and elegant simplicity. How beautiful is this? (That's another set of glasses I need to buy now. If only there were an antiques market nearby. Oh, wait . . . )

Still full from our tapas, we just dipped into the small plates menu and ordered the scallops with chestnut puree, apple julienne and watercress and a side of truffle fries with parmesan and garlic. The apple was a good contrast to the soft silkiness of the scallops; the fries had a great flavour but lacked any crunch, which was a minor disappointment. Not enough to stop us finishing them, though.

So, that was my visit to the Distillery. I am intrigued by the Institute now, so have put that on my to-do list for this year, and will try the larger sharing plates from the Resting Room's Josper oven while I'm at it.







Yours, with two floors down and two to go,

London Girl About Town xx