Kricket

Just to set the scene for you (pun entirely intended), I was recently treated to an unexpected evening at the theatre - Tennessee Williams's Cat on a Hot Tin Roof, intense and absorbing with the immediacy that only live theatre can bring, with great performances from an arch, determined Sienna Miller as Maggie and a brooding Jack O'Connell as Brick, radiating torment and despair.

You say theatre, I say pre-theatre supper: something bookable, fabulous but speedy, satisfying, yet light enough not to put you in a food coma before the curtain comes up and no more than a five-minute stroll from the action.

Enter, stage left: Kricket, emerging from the chrysalis of a Brixton shipping container pop-up into a Soho bricks-and-mortar butterfly, newly awarded a Michelin Bib Gourmand. It's been a big year for  co-founders and college friends Will Bowlby and Rik Campbell and I wouldn't be at all surprised to see them add another Kricket site sometime next year. After my meal here, let's hope so.

Kricket serves Mumbai-inspired modern Indian small plates in a buzzy, industrial-chic setting along with some innovative cocktails (don't miss these when you visit). There are two floors; if you are in a party of four or more, you can book at the communal tables downstairs (useful for pre-theatre when time is tight) or you can grab a seat at the upstairs counter and watch the chefs at work. Apart from being a stellar first date option this is always my preference, as I find it endlessly fascinating — and here, a rare opportunity for Indian cuisine.

We started with smoked aubergine served with sesame raita and papdi gathia, light, crisp Gujarati snacks made from gram flour. I think charring/smoking brings out the flavour of aubergine really well and this moreish dip was a perfect example. My cocktail, Lucky Neem, was a blend of oriental spiced gin, lime, cucumber and curry leaf, welcomingly sharp and elegantly presented.

The tandoori monkfish with coconut chutney was an absolute standout of a dish; firm, beautifully spiced without being eye-wateringly spicy, with the chutney a soothing counterpoint. It's refreshing to see a superb dish simply plated with no unnecessary extras — no tricksy garnishes or endless cast of flavours, no tarting it up to make it 'Instagram-worthy' — just really, really good food.

Kricket's lasooni scallop with Goan sausage, poha (flattened rice) and seaweed was also outstanding. Yielding, sweet and enhanced rather than overpowered by the contrasting flavours and textures, I could have eaten a plateful. We also ordered the cultured butter naan, freshly made, light and generously buttery, and a side of fluffy tomato pilau to go with — both good calls.



Pumpkin with makhani sauce, fresh paneer, hazelnut crumble and puffed wild rice was warming and mellow, with a good depth of flavour; again, a lovely use of textures and perfect with the tomato pilau.

Another dish I will definitely order on my next visit — proper KFC, Keralan fried chicken, served with pickled mooli and a creamy curry leaf mayo. This dish was unexpectedly large in relation to the others and would comfortably serve two, I think — although you may want to have a plan in place if there is one odd-numbered piece left at the end, as that would be totally legitimate grounds for dumping someone.

Yours, in full agreement with 10cc (oh come on, I waited until now!),
London Girl About Town xx

Xu

Before we begin properly, a brief introductory anecdote; whenever I visit a restaurant that hasn't been open long, I try to avoid reading anyone else's reviews or blogs so I can go in with a completely open mind. I might make a note of a couple of dishes on the restaurant's Instagram feed I like the look of, but generally I just pitch up.

This approach occasionally has its downfalls.  Mostly it involves me missing out on a 'must-try' dish; clearly this means I have to go back, this time without subjecting my dining companion to bloggers' rules (no touching your food before the photo, get your arms out of the shot, don't make shadows on the table etc.). So, not too grim.

Hence, pretty much all I knew about Xu - apart from that it is pronounced 'Shu' — was that it was the newest baby of the Bao group, serving Taiwanese food in Soho. We rocked up on a sunny lunchtime, me in Camden market hippie trousers and him in a t-shirt and shorts, to find that Xu is actually a pretty swish place. Our sharp-suited waiter, clearly a part-time GQ model, seated us next to a table of worldly and immaculately dressed twenty-somethings with handbags worth more than my car. Awkward.

Except that it wasn't, at all. The staff were all breezily charming, the service perfectly pitched and the overall feel of the restaurant really relaxed. You could dress up to come here, but you don't have to. Halfway through the meal, I realised why; everybody is far too busy concentrating on their food to worry about you.

We started with a Taiwan Beer and a couple of dishes of peanut lotus crisps — ridiculously moreish crispy discs of lotus root with chilli, peanut and wintermelon syrup. These had a delicious peanut butter & jelly, salty-sweet appeal that had me eyeing my companion's plate enviously long after mine were gone. I may or may not have surreptitiously dabbed my plate clean with a damp fingertip.

We could have just ordered the entire starter menu as small plates, but we eventually went for the Xian bing - generously sized, aged pork pancakes, served with a chilli and vinegar dip. These were plump and perfectly cooked with a pleasingly crisp, browned exterior. Happily there were two to a portion or there could well have been a scene.

My companion is particularly fond of eel, so we also ordered the tomato and smoked eel with daikon. I am so very happy we did, as this was outstandingly good. I was initially a little disappointed at the size of the tiny, delicate pieces of eel but their flavour was so deep, rounded and gorgeously smoky that the eel balanced perfectly with the freshness and acidity of the tomatoes. When you go to Xu - and you really, really must - don't miss this.

Next up was the chicken wing with a punchy sanbei glaze topped with caviar. I first had this combination at Elizabeth (née Allen) Haigh's Shibui pop-up at Carousel and this was almost as good. It may sound like an unlikely pairing but the caviar adds the smallest briny zing to the dish which works really well with the other flavours.

On to the mains, and more difficult choices. We opted for the shou pa chicken; this arrived as what looked like an entire chicken, peppery, juicy and bronzed, adorned with softened ginger and spring onion. I know I have a tendency to over-ordering as I hate to miss out, but this was huge — and incredible value for money.

Unfortunately they did not have the char siu pork on the day we went, so that will have to wait for a rematch; the second main we ordered turned out to be my other stand-out dish of the day, the chilli egg drop crab. Served in the shell, this was everything I had hoped; the delicious, garlicky chilli sauce was pleasantly but not mouth-numbingly spicy, allowing the full flavour of the crab to come through.

We had ordered the bamboo chilli beef fat rice to go with — or rather alongside, as when it turned up it was a mini meal in itself. Chi Shiang rice from Taiwan with aged beef fat, chilli and coriander, wrapped in bamboo leaves, this was not dissimilar in style to the classic Chinese sticky rice in lotus leaf which is a staple of my every dim sum order. The Xu version was incredibly rich, full-flavoured and very satisfying. Fortunately we had already had a gentle suggestion from the front of house staff that a plain rice might be advisable to go with the crab. It was; I wouldn't have wanted to waste any of that sauce.

I didn't get to the desserts, so you are going to have to do that for me. I heartily recommend a visit to Xu; it's amazing value for such accomplished cooking, it has a great vibe and it takes reservations. Did I mention there is a tea salon downstairs and a cocktail bar upstairs? Well, I just did. Get there pronto.

Yours, a total Xu addict,
London Girl About Town xx

Barnyard

So it's a warm, drizzly Saturday afternoon in Fitzrovia and I'm just off to Michelin's hottest star Ollie Dabbous's restaurant. No, not that one - I mean Barnyard, his newest venture round the corner, where I'm reliably informed the wait is mere hours rather than months thanks to a 'no reservations' policy.

The first surprise; we appear to have fortuitously turned up between busy periods and are shown to a table immediately - nice. The second surprise; that the famously precise Ollie Dabbous, whose endive salad contains endive to orange to mint in an exact 3:3:4 ratio and who reputedly once roundly berated staff for leaving a ragged edge on the toilet paper instead of a clean line, has chosen to open a restaurant that looks like - well, like the inside of a ramshackle old barn. 

To be fair to Dabbous though, nobody gets that good without a fierce eye for detail and a relentless drive for perfection. (Actually, in Dabbous's case, hardly anybody gets THAT good at all.) Barnyard, then, feels almost like an alter-ego: reclaimed fixtures, sunflowers, mottled corrugated iron walls, manly staff in checked shirts who look like they've just finished pitchforking hay, white enamel plates and cocktails in half-pint dimpled beer mugs. It's very Of Mice and Men, but in a good way. It's fun. I'm already looking forward to good things.

Dabbous himself is still somewhat busy running his aforementioned eponymous joint so the food at Barnyard comes courtesy of Joseph Woodland (The Square, Launceston Place) and has been described by Dabbous's business partner Oskar Kinberg as 'home cooking, done well and without the washing-up'. At first glance, the menu - divided, with suitably agricultural unsentimentality, into sections headed 'cow', 'pig' and so on - contains the usual suspects for a retro Americana vibe, along with some British classics: beef, eggs, fries, chicken wings, sausage rolls, milkshakes. More of which later.

In keeping with the informal feel (you are very likely to end up squished elbow-to-elbow with other diners, it's really not the place for a private chat) the dishes are designed for sharing. I love this, as in my experience meal envy can test the strength of any relationship, but it can be tricky to gauge portions on a first visit; also the tables are quite small, so expect mild juggling and balancing to be involved. We went with our waiter's advice of 5-6 dishes plus sides and plumped for the chicken in a bun, duck egg with asparagus, fries, roast beef with watercress salad, crispy chicken wings, and broken eggs with mushrooms, garlic and parsley.

Restaurants mixing high-end dining with low-end classics can face the Bubbledogs conundrum; how much can you polish up a classic dish before it loses what makes it a classic in the first place? Barnyard has balanced this well. The chicken in a bun was moist and flavoursome, in a light brioche-style bun and served with delicately-seasoned mayonnaise. The duck egg and asparagus was delicious and beautifully presented, although given that it is a sharing plate, getting both halves of the egg would have been nice. The fries were, well, classic fries; crispy and just right.

Opinion was divided on the broken eggs - basically barely-cooked egg swirled with earthy mushrooms, spiked with garlic and balanced out with parsley. The texture was a little strange, but it was somehow comforting and I couldn't help thinking that, accompanied with some sourdough toast perhaps, it would make a perfect hangover breakfast. The wings, much hyped, were actually not my favourite; there was a quite strong herby note (fennel?) that whilst not unpleasant, I just hadn't expected from the description.

The beef, on the other hand, was outstanding. Supple slices of intensely-flavoured rare roast beef, the lightest crisp of toast, fresh peppery watercress and a warm buttermilk dressing that blends nursery comfort with the bite of horseradish. I loved this. Do not, on any account, visit Barnyard without having this dish; visually, texturally, the blend of flavours - it is fabulous in every way.

My other personal must-have - although this could be just me - is the acorn flour waffle with chocolate and malt. Totally undersold on the menu, this is delicious; a perfect dense waffle (completely unlike the plasticky fast food versions), a rich, nutty chocolate sauce and a divine malted cream that tasted exactly like the inside of Maltesers. What's not to like? 

Which brings me, neatly but not really, on to the drinks. Trust me and beware, these are the archetypal wolves in sheep's clothing. Shandies? I think not. They may well contain beer or cider plus lemonade, but these are basically cocktails in a swigging glass. Extras include gin, bourbon, whisky and tequila, with not a warning umbrella, sparkler or decorative pineapple quarter in sight - and in a half pint glass. They are intriguing, delicious, and incognito. I am absolutely serving a version of these at every BBQ I host this summer. Form an orderly queue, please. (Oh, and don't think you can escape with a milkshake - even they come with an optional tot of something stronger.)

My one regret is the absence from the menu of the popcorn ice cream with smoked fudge sauce; I had heard good things and was keen to try it. During a quick chat with the utterly charming, laid-back manager he explained that their ice cream maker had broken the day before but that the dish would be back on the menu very soon. Hey ho - I guess at least I got to experience the waffle with malted cream. Ollie, Oskar and Joseph Woodland, I salute you.

Yours, in virtual gingham and petticoats,

Girl About Town xx

The Lady Ottoline

The Lady Ottoline is a refurbished gastropub in Bloomsbury, owned by Scott Hunter and Maria Larsen (so a sister pub to the award-winning Princess in Shoreditch) and presumably named after Lady Ottoline Morrell, Bloomsbury society hostess and avid patron of the arts. The bar area has been thoughtfully restored and has a relaxed bistro feel (more formal dining is available upstairs), whilst the barstools, dark wood bar and ales on tap ensure one foot is kept firmly in the pub world.
http://www.theladyottoline.com/

I'd read some good reviews about the food here so had eaten a deliberately miserly breakfast in preparation for a full-on, blow-out Sunday lunch. Greedily perusing the menu I decided to start with the fish cake, poached egg, hollandaise sauce and fennel salad, followed by a mixed roast: beef, pork and chicken. All roasts are served with duck fat roast potatoes, green beans, broccoli, roasted carrots, Yorkshire pud and gravy, so all I had to do was choose a glass of Sauvignon Blanc from the wine list and we were away. The staff, may I say, were excellent; friendly and chatty, attentive without being pushy and genuinely helpful. Sunday papers and supplements are spread across the bar for your perusal, which is a nice touch.

Fish cakes for me are borderline comfort food. I adore the contrast of the crisp golden coating and soft, yielding centre; add some buttery garden peas to that and I'm happy, but a poached egg and hollandaise sounded blissful and suitably Sunday brunch-esque. Sadly this didn't quite hit the spot. The poached egg was perfect and the hollandaise was rich and buttery but the fish cake itself - whilst generously packed with fish - lacked texture and had a slightly bitter aftertaste. I was expecting the fennel salad to be a small side of shaved fennel, probably dressed with olive oil and lemon; in fact it was a vinaigrettey rocket salad with some bits of fennel in it - not terrible, but I think a simpler salad might have gone with the dish better.

The roast arrived, with a large slice of beef, a smaller one of pork and a chicken leg, along with the accompaniments (I would normally have gone for just the beef but I felt I owed it to you, dear readers, to sample the lot). It was, I'm afraid, disappointing. It was also a little confusing, as some of it seemed to have been rushed whilst other bits seemed to have been hanging around in the kitchen keeping warm. Here are the winners, losers and also-rans of my roast.

The beef: moist and tender but with some unpleasant gristly bits and cooked without a trace of pinkness. Personal choice I know, but roast beef to me is at its most glorious when rare.
The chicken: tending to dry but okay.
The pork belly: very fatty still, as if it had perhaps been roasted too quickly.
The Yorkshire pud: dry and overcooked, a shadow away from burned.
The broccoli and peas: undercooked to the point of being hard. And this from someone who loathes mushy veg and steams everything to the firm side of al dente. (Well, except cauliflower for a cauliflower cheese, naturally, as that is the only example I can think of where resistance is futile. Anyway, I digress; back to the roast.)
The roast carrots and beans: perfect - flavoursome and with just the right amount of bite.
The roast potatoes: awful, frankly. One was okay, the others were solid to the point that I felt if I tried to apply any more pressure with my knife, the whole thing would shoot sideways off my plate at great speed and probably kill a bystander.
The apple sauce: good, chunky and clove-scented.

Perhaps it's not a good idea to be the first customer at 12.30 (and indeed the only customer for the next half an hour) in a place that opens at noon. Perhaps their regular chef doesn't work on Sundays. Perhaps the standard is actually dropping, as one recent reviewer felt (I reread the reviews when I got home, perplexed). I want to give them the benefit of the doubt, as the lovely waitress looked genuinely alarmed when I asked for the bill (over £30 including service) with my food barely touched and asked if everything was all right. Now I'm absolutely not someone who enjoys complaining for the sake of it (in fact I really dislike those people) but I can politely send back an overdone steak or a cold soup without too much embarrassment; after all, if it was my restaurant I would want to know. But faced with her obvious concern, I just didn't know where to start.

Disappointed, I perked up when I realised the Charles Dickens museum is only a hop and a skip from the pub. Guess what? It's closed for refurbishment until December. Sometimes it's just not your day.



Yours, under my own personal raincloud,
Girl About Town xx

Gormley at the White Cube, plus a little Cock and Bull

As a fan of contemporary art, Antony Gormley rates as one of my top three living artists; his incredible Blind Light at the Hayward in 2007 is still my favourite exhibition of all time. I also love the White Cube gallery in Hoxton Square; as it says on the tin, it's a very manageable 2000 square feet of pure, clean white space which has hosted the very best of modern British art since opening in April 2000.
http://whitecube.com/

Imagine then, dear reader, my joy at discovering Still Standing, an Antony Gormley exhibition in that very gallery until mid-September. Still Standing features Gormley's familiar body forms, but this time constructed from small rectangular cast-iron blocks. In the White Cube they can be viewed from different perspectives as you walk amongst them, with nothing to interrupt or impose upon your experience. Entry is free- check the website for opening hours.

Friends who may not be that into art and would moan and groan at the prospect of a trip to the Tate or the National can usually be cajoled into ten or fifteen minutes at the White Cube - particularly as there are some fabulous eateries dotted around the area. On this occasion I had a particular venue in mind; the latest venture from top British chef and Midas-touch restaurateur, Mark Hix.
http://www.chickenandsteak.co.uk/

The Tramshed (so-called because it is housed in an utterly gorgeous high-ceilinged building that was once a tramway generating station) is a three-minute stroll away and has been hitting the headlines because of its main course menu. Not because it is too confusing, or esoteric, or self- congratulatory, but because you basically have two options: steak and chips, or chicken and chips. End of. My companion looked quizzically at the menu and said, 'What do you do if you're a vegetarian?' The answer? Eat somewhere else.

Hix's pal Damien Hirst has supplied two specially-commissioned pieces; a vitrine of a cow and a cockerel (entitled, appropriately, Cock and Bull) dominating the main floor, and a huge Cow and Chicken cartoon on the upper section - are you getting the common theme yet?
Hix haters have been rubbing their hands together in schadenfreude-fuelled glee, predicting that Hix has overstepped himself and will come a cropper over Tramshed. I'm not so sure.

On my visit we opted for the chicken, deciding to skip the three-dish starter sharing plate as we had been warned that the chicken could easily feed three people; they were right, it could.  It arrived upright, claws intact and legs theatrically to the sky, topped with a ball of stuffing and surrounded by a mound of chips finished in chicken fat and rosemary. The staff were delightful and happily carved for us (returning at regular intervals rather than carving it all at once so that it didn't get cold) and the chicken itself was delicious; juicy, flavoursome meat under a seasoned crispy skin. We shared a bottle of the Tramshed red, a light lunchtimey red designed to complement both main course options, and didn't have room for dessert. 

Tramshed also has a gallery called Cock 'n' Bull in the basement which I didn't get a chance to visit, but really want to: as well as traditional viewing space they are building a unique library based on the recommendations of experts in given fields - say, Alice Temperley and Jacquetta Wheeler on fashion. This is a really exciting idea and I'm looking forward to following it as it grows.

So, am I coming back to the Tramshed? You betcha. Anywhere that serves food this good, showcases British art, and puts the soap and hand cream in the ladies' loo in squeezy udders instead of boring plastic bottles has my vote. And anyway, I haven't tried the steak.

You can have anything you want, as long as it's cow or chicken. Hix, we salute you.

Yours carnivorously,

Girl About Town xx